Alternative Armament for Shoggoths

It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and unforming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter.

H. P. Lovecraft, At the Mountains of Madness (1931)

That’s the eye-witness description we find in “At the Mountains of Madness” for the terrible shoggoths, horrifying bio-engineered life-forms that H.P. Lovecraft name dropped in his other stories “The Thing on the Doorstep” and “The Shadow Over Innsmouth.” However, their creators, the Old Ones (later rechristened Elder Things so as not to confuse them with the Great Old Ones) designed the shoggoths to be a kind of endlessly repurposable biological construction equipment. 

“Formless protoplasm able to mock and reflect all forms and organs and processes – viscous agglutinations of bubbling cells – rubbery fifteen-foot spheroids infinitely plastic and ductile – slaves of suggestion, builders of cities – more and more sullen, more and more intelligent, more and more amphibious, more and more imitative!”

The shoggoths were an endlessly adaptable life form that could act as a crane, an earthmover, a bulldozer, steamroller, or even (one supposes) weapons of war when the Elder Things warred with some of the other early inhabitants of the Earth. They were never meant to be able to chose what shapes they took, that was for their masters to decide, but like the quoted passage says, they developed independent intelligence and an agenda all their own, quite reminiscent of the common sci-fi trope about artificially intelligent robots and computers gaining consciousness and turning on their creators. 

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The Original, the Eternal, the Undying

All that Danforth has ever hinted is that the final horror was a mirage. It was not, he declares, anything connected with the cubes and caves of those echoing, vaporous, wormily-honeycombed mountains of madness which we crossed; but a single fantastic, demoniac glimpse, among the churning zenith-clouds, of what lay back of those other violet westward mountains which the Old Ones had shunned and feared.

  – HP Lovecraft, At the Mountains of Madness

Other Names: The Source, the Primal White Jelly, Ur-Shoggoth, God of the Shoggoths, the great gray goo.

If the Original, the Eternal, the Undying has a true name, it is obscured behind vague titles. Few tomes acknowledge the existence of the deity. Those that do only hint at its nature.

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Le Fear Fatal

It was around 4:30am in the bus station located at Melnea Cass Boulevard & Madison Avenue in Boston. Several scantily clad women were standing on the sidewalk, some visibly digging at invisible spiders. Bit by bit, cars containing single men pulled up, and the women left…only to return a short time later. A girl in a leather jacket, pleated plaid skirt, and auburn pixie cut was gone the most, seconded only by a young woman with locks the color of orangish flame wearing only black negligee. A blonde woman who could be otherwise cosplaying Uma Thurman from Pulp Fiction down to the hair cut and bare feet had grown frustrated and restless, keenly aware of the current trade of the night. Finally, she stormed off down the street, passed the intersection and after walking past the homeless shelter, turned the corner onto Albany as a tall, lithe redhead clad only in a stained grey thong bikini.

In nature, many opportunistic predators evolve to take the form of their prey. Examples of this include the fireflies of the genus Photuris that emit the same photonic signals that females of the genus Photinus emit as a mating signal. The same can be said of the shoggoth. As humans are the top species on this planet and account for a great deal of it’s biomass, specializing in preying on them has been the niche of several species of predator. As such, it makes sense that a quickly adapting species such as the shoggoth would use mimicry as a predation strategy. 

The Le Fear Fatal takes the look of, including replicating clothes, a sexually available female.  They’re not very sentient in any humanly recognizable way, with intelligence on par of an African Grey Parrot. As human society progressed, they adapted to the more common courtship patterns they observed in their new natural environment: a concrete jungle.

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Shoggoth Seeds

It was a terrible, indescribable thing vaster than any subway train—a shapeless congeries of protoplasmic bubbles, faintly self-luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter.

H. P. Lovecraft, At the Mountains of Madness (1931)
Artist: Martin Kaci, Website: dreamstime.com
Art Piece Name/Number: shoggoth creature

These amorphous things were created by the Old Ones to service them; they were designed to be strong, adaptable, and capable for any task set before them. Eventually, they rebelled against their creators and brought them low and lost themselves to the four corners of the Earth. Even if the player’s characters have not heard of a “shoggoth,” the players have, and even the name is designed to send shivers crawling down spines.

Keepers desiring to include shoggoths in their campaign can find the fetid beasts in Chapter 14: Monsters, Beasts, and Alien Gods in the Call of Cthulhu Keeper Rulebook (7th Edition). Shoggoths are presented in two varieties, Shoggoths and Shoggoth Lords. The Shoggoth is the horrific creature originally described in Lovecraft’s novella, At the Mountains of Madness. A Shoggoth Lord is typically smaller than a shoggoth, but far more intelligent. They disguise themselves as human to get closer to their prey. An additional type of shoggoth, the Proto Shoggoth, is available in the new Malleus Monstrorum, Vol. 1; it’s an infantile shoggoth, perfect for when the Keeper wants the investigators to confront a shoggoth without a near-certain total party kill.

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Avian Shoggoths

We’d been chasing reports of a condor for over week when we saw it, soaring high above us on the thermals rising out of these canyons. It looked massive from here, and our photographer struggled to track it. We needed pictures to see if it was banded, part of a breeding program, or a wild born animal we hadn’t yet identified in our conservation efforts. Suddenly our photographer screamed and dropped his camera. He curled into a ball and started babbling about blinking eyes and slavering mouths. He said it wasn’t a condor. He said a lot of things, but we didn’t believe him then. I wish we had.

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Lovecraft Country Shoggoths

HBO Subscribers: Welcome to Lovecraft. FYI, those things in the woods weren’t shoggoths.  They were something else. Even before watching the first episode of Love

Trollboy, August 17, 2021

Before seeing the first episode of HBO’s “Lovecraft Country,” based upon the book of the same name by Matt Ruff, I was seeing posts about it on Facebook. I was surprised at how quickly supernatural monsters turned up in the show (granted, it was the end of the first episode, but it was still the first episode!) I read the posts and comments, wondering what could actually be so confusing, and then HBO Max released episode one on Youtube.

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Growing Up / Overnight – Two Cthulhu Mythos Fiction Books

https://www.kickstarter.com/projects/golden-goblin-press/growing-up-overnight-two-horror-short-story-collections?ref=activity

By the trembling jowels of Tsathoggua! There’s 24 hours for you to get in on a double dose of Lovecraftian Horror from the awesome folks at Golden Goblin Press!
Head over now!!

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Shoggoth.net’s New RPG Editor

Hello gamers!

I’m Chitin Proctor, the new RPG Editor for shoggoth.net. While new to the SDN team, I’m the Director of Operations and Chief Editor at Stygian Fox Publishing, and have done freelance work (proofreading) for Chaosium and Sentinel Hill Press.

Prior to working in the RPG industry, I’ve worked in a variety of different fields. I’ve managed restaurants and internet companies, lead marketing teams, worked as an F&B cost controller, and managed warehouses and even disaster restoration companies. But…this industry…it’s where my heart has been at for a very long time. Sneaking out of the house as a teenager to go play Call of Cthulhu was the first time I ever felt like I belonged. The other kids didn’t care what I looked like or where I came from. It was the first time in my life that I felt accepted.

And so, after a long hiatus in which I was a workaholic at one corporate job or another, I eased back into gaming-related stuff, starting with proofreading Stygian Fox’s The Things We Leave Behind in 2016. The initial work was therapeutic…it was what I’d turn to to de-stress from managing three restaurants. It’s why my name is in every Stygian Fox book in some capacity or another.

It wasn’t until 2020 though, when I found myself unemployed for the first time in 26 years, that I realized how messed up all work and no play had made me…how much of life I’d been missing out on, mostly working at jobs that I did not love. Which is how I found myself typing up an email to Matt at shoggoth.net, applying for the RPG Editor position. Cause at this point in my life, I only want to work on things that I love…so hello shoggoth.net readers. Let’s do horrific things together!

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OctoberNomicon and beyond; a Call for Revelations!

A popular meme at the moment expressing ostensible dissatisfaction of HBO’s application of the shoggoth appellation to their new creature.

Yes. Sort of. Details below.

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The Lovecraft Tapes

These pod people are awesome. Their play style is one I can virtually never tolerate in a horror game. They constantly interject humor, and make boatloads of out of game, character, genre, and period, comments: aaaaaaand they’re wonderful.

The GM’ing (Keeping), and play is great, they are genius, their timing is impeccable, their humor is gut-busting–they’ve made me laugh so hard I stopped breathing–and the production value is fantastic.

In addition to live play, they suggest games, movies, bands, etc., and present advertising for the most hilarious faux products, or perhaps they are real . . . Dum dum dum!

It’s very much like listening to The Firesign Theater play Call of Cthulhu.

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