originally published American Atheist Magazine 1998
For nearly five years I have brooded a ghastly and horrifying secret. A secret so dark and blasphemous, it blurs the edges of my consciousness and tinges my every thought with stark blue terror. When I sleep, it haunts my being and stains my nightmares the dripping, blood red of madness. And now it seems my unwholesome labors have brought forth a dreadful and appalling issue.
Normally, I have mixed feelings when it comes to anthologies. It’s not that I don’t like them, my problem is quite the opposite. I love them, but once I get to the point in an anthology story where I want it continue divulging the secrets it’s only just now begun to show me is when the story ends and we shift gears into an entirely different story.
I feared that would happen with The Gods of H.P. Lovecraft, but I wanted to give it a try anyway because I’m a huge fan of Donald Tyson’s Necronomicon books and knew that he had written the descriptors of the gods between each of the individual stories.
I was pleasantly surprised to find every story in this anthology pleasant to some degree. I still suffered, especially at the end of tales such as A Dying of the Light by Rachel Caine.
I never should have let Jesus in. When you allow something in, you risk infection.
“And no one puts new wine into old wineskins; if he does, the wine will burst the skins, and the wine is lost, and so are the skins; but new wine is for fresh skins.”
Once I let Jesus into my heart he wouldn’t stop talking in my head: parable after lesson after reproachment, repeat, and all in a surprisingly brusque voice. My childhood memories are infected with it since first communion. The shockingly mocking voice. The voice was the first warning of a danger that I was too young to heed. The second sign of danger was the vision I received, not from God divine but a hateful god infernal—the threat of interdimensional demons borne of horror so old and unnamable that the Lord Himself is inaudible, replaced with a chaotic choir of cosmic dread in a thousand R’lyehian moans.
“Ya stell’bsna chtenff hupdgh n’ghft!” Continue reading »
Many handouts are not in the order in which they are needed, largely due to the author’s lack of computer sophistication. Once they are clipped, it should be easy enough to organize them. Also, note that much of the correspondence has two versions, depending on when the Investigators find them.
At least one Investigator should be a police detective or something similar, and at least one associated with Professor Henry Armitage, the head librarian at Miskatonic University’s Orne Library. The Investigators may or may not know one another prior to the campaign, at the Keeper’s discretion. Continue reading »
Dr. Doran is back in his third Serialized story. If you’re new to Andrew Doran, he’s an Adventurer who fights the minions and monsters of the Cthulhu Mythos. The first two novels came out as serials before being published as novels. There are a few ways that you can catch up. You can get the first story, The Statement of Andrew Doran, for free by reading it on Wattpad. Or you can purchase it on Amazon for only $0.99. Book 2 is called Andrew Doran at the Mountains of Madness, and you can find it on Amazon as well. Both are also on Audible and iTunes as audio books.
This time around, Dr. Doran is forced to face the return of an enemy he thought long gone as they race to get their hands on the dreaded Book of Eibon.
For years, my colleague and overseas pal, David Hambling, has been trying to encourage me to write a Lovecraftian story that has at least some part of the setting in the area that I’m living in. I’ve been hesitant, but after reading Book of the Dead by Greig Beck, I’ve learned that setting doesn’t matter, it’s the story that drives a novel.
Let’s be fair, there have been a lot of movies whose fame can be traced back to the great Mr. Lovecraft: The Thing, Pacific Rim, Alien, Pans Labyrinth, and Event Horizon to name a few of the obvious ones.
But even the great works could be greater, and I think that adding Lovecraft is the answer for success!
The way I see it, there isn’t enough Lovecraftian prose weaved into our favorite stories. That’s when I asked myself which movies probably could have benefited from a touch by the scribe himself.
First looks at the new “Tales of the Caribbean” by Golden Goblin Press
Loyal denizens of Shoggoth.net; we have got an exclusive look at Golden Goblin Press‘s new Kickstarter; Tales of the Caribbean. It will be amazing. Golden Goblin Press continues to set the standard for an impressive game. The artwork is impressive and the scenarios are superb. The subtle elegance of “the Golden Goblin” look is unmistakable.