While we are still taking content, we’re starting off today.
Happy OctoberNomicon everyone!

Scratchboard 9×12 2019
While we are still taking content, we’re starting off today.
Happy OctoberNomicon everyone!

Normally we try to stay as apolitical as possible, however this seemed pretty fun. DavidXNewton, a Youtube video game commenter and all around swell guy has a series on his channel called “David Does Doom”. With the goings on in the news recently, he’s started to ask for donations on his channel. Said donations will be amassed and handed off to RAICES to aid in the border immigration problem, AND will be matched by his employer. So as he’s going to be playing Sandy Peterson’s (creator of Call of Cthulhu) own Doom and has promised us some Cthulhu levels as well; I give you (direct link with donation link and handy chart of how much has been given already:
Attention Artists! Attention Writers! Attention Weirdos!
Getting a head start on things; we have now opened submissions for our yearly OctoberNomicon! Submit your monsters, npc’s and abomonations to appear all through out the month of October. We are open to any game system. If you’re an artist and want to volunteer to draw things; let us know! We’ll give you a sneak peak of the submissions so far so you can bring these horrible things to life. As always send your horrible things to [email protected]
Continue reading“We can only avoid assimilation by writing hermetically; by not making ourselves clear to every department store shop-assistant. Mystery is frightening…”
––Unidentified Trotskyite speaker sampled in Greater Than One’s “Fear Is The Agent Of Violence” https://www.youtube.com/watch?v=JAn2_Jfw7eo
Much rhetorical blood and literal ink has already been spilled over the question of graven or implushed images of Cthulhu and the Great Old Ones; but, while the argument may have fallen away unresolved as a relic of the halcyon days of sane public discourse, the failure to address the true scourge afflicting our dreams of hegemony haunts us still, and shall grow ever worse unless and until we cleanse it with purifying (albeit figurative, for now) fire.
Continue readingBone Demons are tiny, vaguely anthropomorphic jumbles of bones from small animals or infants. Sorcerers create them as servants in a ritual that requires self mutilation and bloodletting. They are covered in decaying meat, held together with sinew, twine, wire, glistening with dried blood. Bone move in a jerking dance, bones rattling against each other as the creature moves. The monsters must be bathed in blood frequently to remain alive. Bone Demons work as assassins, guards, messengers, and assist in spellcasting. Some are even capable of casting spells on their own.
Continue readingCorpse Spiders are the intrusion of a foul alien mind upon our world, the nightmare of a vast and horrid imagination made manifest. No one knows what is ultimately responsible for the creation of the corpse spiders, what it wants or needs, only that is uses humans as the vessel to enact its will. Why it chooses one human or another is a mystery as well, appearing to be random. Even if a reason could be found it is sure to be incomprehensible to mankind.
Continue reading(No spoilers)
Coming in at a good duration of 93 minutes, The Babadook is intelligent, dark and frightening. Claustrophobia and gut-wrenching stress are intruded upon by a well meaning(?) outside world of school staff, social workers and haughty housewives. There is enough ambiguity to keep the viewer guessing as to what is actually going on, and the hero of the story is most unlikely–though always close by.
“Fear’s Sharp Little Needles” is a book of short scenarios, by Stygian Fox, and written for the Seventh Edition Call of Cthulhu role playing game published by Chaosium.
The cover art has elements I like, but is so dark it gives the impression you’re missing detail. That said, it’s very well executed.
The pages have a very cool parchment look. It’s bold enough to be noticeable, yet subdued enough to not interfere with reading. The table of contents gives the scenario titles on simulated scraps of paper, which is a nice touch. The text is Times New Roman, with the section headings bolded, and in some sort of sans serif font, making for an easy reading experience.
The interior art is beautiful. Also, not only does each scenario start with a full-page illustration which is a teaser for what’s in store, but there are also maps galore. The scenarios are intentionally brief. They are all set in the modern era.
Now, on to the scenarios, with an effort to minimize spoilers. Unfortunately, this leaves me only room for introductions. The cover page of each scenario contains three or four words which give an even briefer idea of what is contained therein–nice touch.
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